Into the Blue
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Nicholas Payton

Since he came on the scene, Nicholas Payton has been known for his killer
technique and big sound. Listening to him you could easily hear the influences
of Freddie Hubbard, Lee Morgan and Woody Shaw – all cats who could make flames
jump out the bell of their horns. It would be a safe statement to say that Nick
can pretty much do it all when it comes to trumpet. While some may argue that
this recording lacks the fire of his previous works, to me Into the Blue
feels like new chapter in the musical life of its composer. I find it to be more
honest and real than anything he has released to date and because of that I
consider it his best thus far.
I read one comparison between Into the Blue and the Miles Davis
classic recording of Kind of Blue and there is evidence to support that
statement. While Nick may be known for high energy, several songs feature some
of the most soulful, melodic and thoughtful playing that I’ve ever heard from
him or any other trumpet player. “Drucilla” starts off melancholy and moody
before gradually transforming into a swinging affair that ends far too soon.
“Let It Ride” and “The Backward Step” also feature the same fantastic playing.
When I caught Nicholas at Blues Alley a few weeks ago he had added lyrics to
these tunes which makes sense when you hear them. They practically scream for
words. He also lends his voice to the tune “Blue” following in a long line of
trumpet players who also sang (Louis Armstrong, Chet Baker, and Clark Terry to
name a few). “Triptych” and “Nida” remind me of DC’s homegrown sensation of
go-go. Both are groove based and feature in the pocket percussion.
What is amazing to me is Nick’s transformation with regards to sound and
style. Even his phrasing feels different. Needless to say I enjoy this album
very much. Run (do not walk) to the store and pick this one up. Feeling lazy?
Pull iTunes and download it. You will not be disappointed.
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