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Trialbylight-small

Trial by Light – Damian Coccio

Trialbylight-smallA well written song can transport you to another place and time.  Every melody, note, space and phrase can take you on a voyage into the past, present or future.  It can become a vacation and escape to be enjoyed and absorbed.  Upon several listenings, Damian Coccio‘s newest recording Trial by Light has provided this and much more.

The bass guitar is a relatively young instrument compared to others.  The first mass produced model was created by Leo Fender in the 1950s which places it at the tender age of about 60+ years.  It is a mere child when compared to it’s big brother the double bass (which dates back to at least the 1500s).  While normally viewed as a supportive instrument it is being pushed to the foreground as a solo instrument by artists like Michael Manring, Steve Lawson and others.  Damian’s Trial by Light is a great example of the evolution of the bass guitar and how very versatile it can be.

While some solo recordings can easily shift into a hey look at how fast I can play affair, Trial by Light makes song writing and aural colors the star.  Each song paints a unique picture by stimulating the ear with singable and memorable melodies.  They create a sense of adventure and mystery without becoming abstract.  “What the Storm Brought” begins the journey with a beautifully chorded introduction accented with harmonics and leads into a mellow groove.  The title track “Trial by Light” shows the ability of the bass to play both the role of support via deep bottom notes and lead with lush ringing chords.  On “Fire Interlude” Damian switches to fretless bass and takes full advantage of it’s beautiful singing characteristics to deliver a hauntingly beautiful melody.  These are just a few examples but each song will truly transport you to another place and time.  The music will actually tell a unique story with each listen.  Damian has an amazing command on the instrument and the tones he coaxes from each (fretted and fretless) are nothing short of beautiful.

If you’re looking for new music to inspire and transport you from where ever you are, Trial by Light will deliver.  It is a great musical start to 2016.  I can’t recommend it enough.

To find out more about Damian visit his web site electrifiedbass.net.  To purchase music visit the links below:

CD Baby
iTunes
BandCamp

Damian also has a host of videos on his Youtube channel that will give you a taste of his music.  Below is one of my personal favorites – “Dawn” from the Waves of Spring release.

Blue Bossa Transcription

Bassist and educator Todd Johnson (my bass teacher) has a great series of videos where he plays through standard tunes. He provides a bass line, solo and even chords to comp. I’ve decided to use this to improve my ear and transcribe lines. The cool thing is it includes a video and written music. I never check the written music until after I finished to compare notes. I also usually only use the audio to figure out what is going on.

Below are my attempts at learning two choruses of his solos on Blue Bossa.

The last video was also my first attempt at using Garageband to record audio and iMovie to handle video. The result is a much better sounding file. I’ll provide recording details later but I may be using this much more in the future.

Darlin, Darlin Baby (O’Jays)

For a few months now I’ve gotten together with a couple of cats to jam. We don’t have any gigs lined up – we’re just trying to improve as musicians and we love music. I have to say I’m liking how things are shaping up even though there is still much work to do. Here is a video of the tune “Darlin, Darlin Baby” by the O’Jays.

Darlin Darlin Baby (O'Jays) from Eric Brewington on Vimeo.

One thing bass guitar has reconnected me with is my love for all types of music. I will admit to being a bit of a jazz snob when I played trumpet exclusively. The bass has kept me in touch with my first love (jazz) while allowing me to further explore Motown, R&B, classic rock and other wonderful genres of music. I believe it is making me a better overall musician. John Coltrane cut his teeth playing in rhythm and blues bands and I’ve read stories of him “honking” while walking on the bar to get the crowd pumped up. I’m not comparing what I do to Coltrane by any stretch but I do see value in playing everything you can.

Hymnology Vol. 1 – The Kash Wright Trio

hymnologyMy first serious connection to music started in the church.  At the age of 5, I was singing in choirs and exposed to the sound of piano delivering rich, spirit inspired melodies.  I don’t believe I’m alone in the regard.  Many vocalists have a similar upbringing and it is immediately apparent when they open their mouths to sing. In his autobiography, Miles Davis spoke of his life in Arkansas and the soulful church music that resonated along the country roads when he visited his grandfather. Miles said those sounds shaped who he became as an artist and sent him on his journey to play music.

No one would ever dispute the direct connection that exists between R&B, jazz and gospel music.  Hymnology Vol. 1 by the Kash Wright Trio embraces this marriage of genres brilliantly.  In gospel music and jazz, the offerings that I appreciate most are those that honor the roots from which the music was born.  From the first tune to the last, Hymnology Vol. 1 provides that and so much more.

The trio includes Kash Wright on piano, Mike Montgomery on bass and Bobby Beall on drums. Hymnology Vol. 1 is their third recording as a group and it shows by how well they play together.  Each member honors the importance of individuality while using their strengths to create a singular swinging unit.  At the risks of making assumptions, it sounds like these guys really enjoy creating music together.

Kash Wright wrote fantastic arrangements of tunes one would regularly hear in church and the trio executes his vision wonderfully.  The beautiful introduction on “There’s A Sweet, Sweet Spirit” yields way to a light bouncing swing that sets the tone for the entire album.  Bobby Beall’s solo drum work on “How Great Thou Art” could have lasted another 10 minutes.  His feel on the kit is expressive and the projected vibe of the trio is pure joy.  The band raises the energy to another level with “Jesus Loves Me, This I Know” which starts out with a playful rendition of melody before diving headfirst into swinging rhythm changes (Mike Montgomery provides a tasty solo here and his playing throughout is impeccable).  Kash’s roots of playing in church become evident when listening to his intro on “What a Fellowship, What a Joy Devine” and is brought home by excellent solos by Mike and Bobby.  “Sing the Wondrous Love of Jesus, When We All Get to Heaven” serves as the perfect benediction.  The transition from burning swing to slow groove works really well.

I could easily go on but some things are best enjoyed for yourself.  I’m already looking forward to Vol. 2, but there is so much good music to digest in this recording.  Use the links below to listen to the samples available on Amazon, CD Baby and iTunes.  Highly recommended to anyone who loves jazz, gospel or is just a fan of good music.  Let the church say Amen and pass the collection plate.

Available on:
iTunes
Amazon
CD Baby

Find out more about the Kash Wright Trio here:
http://www.prakashwright.com/kash-wright-trio

What Really Matters

handsIt’s been ages since I’ve written anything on my blog.  Rather than say that I’m going to try and do better, I’ll simply apologize for my silence.  I do hope to come here more often to share my thoughts on music and life when the inspiration hits me.  Today is one of those days.

It is around the time of my birthday.  It’s a day that I usually keep a secret because I don’t like a lot of fuss or attention.  Truthfully, I’d be content to be left to my own devices – hidden in the basement exploring music (or video games to blow off steam).  Maybe go to the movie theater to watch a good sci-fi or action flick.  A great meal is always nice.  It’s funny – I don’t mind being spoiled but I certainly won’t ask for it.  Everyday I try to give what I’d like to receive.  I always will.  When someone is special to you, you’ll make them feel special everyday, not just 2 or 3 days out of the year.  If someone wants to do something nice for me – cool.  If not, I know the things I like and have no problem giving to myself if I’m able.  I’m rambling but I bring up my birthday because the thought of getting a year older has brought me into an interesting head space.

I get up around 5:30AM every morning to practice.  I’m not a professional musician but I love music so much and want to play it well that I’m compelled to do it.  5:30AM is the only time I can work on being a better musician without feeling guilty about not spending time with family.  It’s also the best time to have an uninterrupted and focused practice session.  If time permits, I do more after work.  I have a 9-5 that pays my bills and keeps me engaged mentally but when it comes to feeding my spirit and making me feel good, nothing comes remotely close to how I feel in the rare opportunities I’m able to make music with and for others.

Last night a good friend of mine came by and we worked on two tunes for a couple of hours.  During that span of time everything was right with the world.  I mean everything felt – right.  I wasn’t concerned about work, the responsibility of being a husband or father, the health of myself and my family or my fiances.  I was in the moment and the moment felt wonderful.  As I frequently say in my meditation class, I was in my true state.  The euphoria of that short span of time remains in my body now and that was only two hours in a total of 24.  That means something.

I’m always concerned with what people think of my love of music.  I’m 40-50ish, not a pro and yet I spend a tremendous amount of time practicing music, listening to music, studying music and anything that relates to organized sound.  Vibrational communication is what I like to call it.  I  sometimes worry that people would rather see me submerged in a book related to career advancement or something that would lead me to improved finances.  That self imposed mental roadblock will frequently lead me to not take my musical study seriously or not enjoy it as much.  It makes me second guess why I drag myself out of bed at the crack of dawn to bang out scales, chords and rhythms in an effort to create something meaningful.

Music is what I love to do.  For some people that is more than enough reason to pursue a passion but for someone like me who truthfully is a bit low on self esteem, it can be crippling.

As I add another year to my life I’ve begun to realize what is truly important and I’m starting to feel OK about being me.  I know that sounds strange but I remember feeling that way when I was younger.  I was bold and empowered by the freedom of no longer being considered a child.  At some point however, I began to operate based on what others were doing and what I thought others wanted to see in me.  Again, all self imposed but powerfully present none the less.  That type of thinking will lead you down a path that is not your own and if you’re not careful you’ll look up and find yourself on a road that is extremely foreign.

I know a few people think I’m having a mid-life crisis here.  Perhaps, but I prefer the term mid-life awakening.

In a world of constant change, my love for music is probably one of the few consistent things that have been with me my entire life.  Consistency is something you can always grab for stability when everything else is reeling (for better or for worse).  That feeling I got last night playing music confirms it and solidifies it.

No, I’m not thinking of a career change.  I’ve got a family to support and my new bass guitar addiction requires me to stay employed.  I feel blessed for the job that I have and I plan to continue to do the work that I do.  That being said, if it feels right for this long – it probably is.  Full steam ahead.