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  7/4/2008

What's New?

Post Date: 3/27/2008

The site has been down for a while but that didn't mean I quit playing (a lot of folks assumed I had).  Things have been going well and I want to thank everyone who emailed me periodically to see how I was doing.  I really appreciate it.  A few updates...

I've joined the Jazz Band Master Class again in late 2007 to keep myself playing with other musicians and learning tunes on a regular basis.  The spotty gig here and there wasn't cutting it.  I've discovered that there really is no substitute for this.  Back in the day cats learning jazz played with others daily -- either jamming or gigging.  This is vital to growth!  I honestly do not think you can improve as a player if you confine yourself to the basement playing with Aebersolds.  The master classes give me an opportunity to turn all of the 12 key-lick-chord-pattern-ear practice into solos that mean something.  Isn't that what it's all about?  There is also the thrill of having to create a solo over a tune you've never seen before.  I'm still trying to catch my breath from soloing over John Scofield's "I'll Catch You" -- great tune and great fun.

I am also attending Jamey Aebersold's Summer Jazz Camp this year.  Really looking forward to that and will hopefully share my experience here on the site.  Stay tuned for more there...

Trumpet vs. Flugelhorn

Over the past few months I've been wrestling with a decision. My decision revolved around continuing to play trumpet or switching to flugelhorn as my main axe (ala Art Farmer and Dmitri Metheny). I think I've finally reached a decision...

I love the sound of the flugelhorn and I love playing it. It's dark, silky, mellow and it almost demands that you approach it in a more laid back and lyrical style. All of that lines up with my preferred type of playing.  When people see you playing a flugelhorn they expect that style of play.  To me, the pressure to come out swinging for the fences like Freddie Hubbard, Woody Shaw or Lee Morgan does not come with flugelhorn. 

That reduced pressure allowed me to really get comfortable with the flugelhorn and that came out in my playing.  When I made the switch I got regular compliments on my playing and even invites to join with other groups!  On flugelhorn I felt like I could be myself without fear of judgment and comparison to the trumpet players mentioned in the previous paragraph.  That lack of fear allowed me to really soar with regards to figuring out who I was as a musician.

All of that is cool but I have to stop and think.  Am I not playing trumpet because I like flugelhorn more or am I not playing trumpet because I don't feel I will ever measure up to other players?  In my opinion flugelhorn is bit easier to play than trumpet.  For me it's easier to get a good sound, the range requirements aren't nearly as demanding and the deep V mouthpiece mask my poor articulation. 

If the later is the reason I switched to flugelhorn, and I believe it is -- it's the wrong reason to make the switch. 

I love trumpet.  If you read the About Me section of the site you'll read how I was drawn to jazz from hearing Miles Davis play on Kind of Blue.  By taking an easier path I'm abandoning my love for the instrument -- how can I do that in good consc?

So...

I'm sticking with trumpet as my main axe.  If I am going to be me - I'll be me on trumpet regardless of what people think I should sound like and play like.  All that said I need to step up and address my shortcomings.  I am beginning to like my sound but I need to work to strengthening my embouchure so I can increase my range and endurance.  I need to clean up my articulation and I need to become more comfortable playing on up-tempo tunes (Jazz Band Master Class is wonderful for this).  More importantly, I also need to develop a thicker skin and become comfortable with who am and will be as a player. 

As always seems to be the case on this journey -- I need to man up and put in the work!

SIDE NOTE:  This decision was solidified last night when I saw Dave Ballou perform with the Jeff Antoniuk Jazz Update at 49 West in Annapolis.  They performed tunes by Joe Henderson and Kenny Dorham - two of my favorite players of all time.  It was a great performance and Dave was on fire as usual.  The freedom in his playing is inspiring. 

Of course it is also humbling because I'll never sound as good as him!  Thanks Dave... I think!  :-)

Into the Blue - Nicholas Payton

Since he came on the scene, Nicholas Payton has been known for his killer technique and big sound. Listening to him you could easily hear the influences of Freddie Hubbard, Lee Morgan and Woody Shaw – all cats who could make flames jump out the bell of their horns. It would be a safe statement to say that Nick can pretty much do it all when it comes to trumpet. While some may argue that this recording lacks the fire of his previous works, to me Into the Blue feels like new chapter in the musical life of its composer. I find it to be more honest and real than anything he has released to date and because of that I consider it his best thus far.

I read one comparison between Into the Blue and the Miles Davis classic recording of Kind of Blue and there is evidence to support that statement. While Nick may be known for high energy, several songs feature some of the most soulful, melodic and thoughtful playing that I’ve ever heard from him or any other trumpet player. “Drucilla” starts off melancholy and moody before gradually transforming into a swinging affair that ends far too soon. “Let It Ride” and “The Backward Step” also feature the same fantastic playing. When I caught Nicholas at Blues Alley a few weeks ago he had added lyrics to these tunes which makes sense when you hear them. They practically scream for words. He also lends his voice to the tune “Blue” following in a long line of trumpet players who also sang (Louis Armstrong, Chet Baker, and Clark Terry to name a few). “Triptych” and “Nida” remind me of DC’s homegrown sensation of go-go. Both are groove based and feature in the pocket percussion.

What is amazing to me is Nick’s transformation with regards to sound and style. Even his phrasing feels different. Needless to say I enjoy this album very much. Run (do not walk) to the store and pick this one up. Feeling lazy? Pull iTunes and download it. You will not be disappointed.